On the 3rd and 4th December last year I attended Tate Modern’s conference on Dislocations: Remapping Art Histories, organised by the Tate Research Centre, Asia-Pacific. The two day event featured a fantastic array of artists, curators and academics addressing questions on performance, socially engaged practice and the methodological rethinking of the Western-centrism of 20th century art histories. As Tate Modern notes: “Topics included environmental art and performance in Japan in the 1960s, performance and its relationship to installation art in the Philippines in the 1970s, transnational and multivalent character of Modernism’s centres such as Paris and Mumbai, the effect of the internet and social networking technologies in contemporary Chinese art and the ‘social’ legacy of the socialist era in contemporary practice in China.”
The video recordings from the conference are now available to view online, so for anyone that was unable to attend the event I thought I would include a link here to the final session, on ‘Contemporary Art and the Social’ as it addresses themes which are extremely pertinent to online visual culture.
The other two sessions can also be watched by following the links below. Lee Ambrozy’s talk on ‘An Expanded Definition of Performance Art in China’ in session 1 is a fascinating talk which is definitely worth watching. The full conference programme is available to download here.