Chinternet Ugly: Exhibition Opens 8th February at CFCCA (Centre for Chinese Contemporary Art) Manchester

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I’m proud to announce that Chinternet Ugly, a new group exhibition which navigates the messy vitality of China’s online realm, will shortly be opening at the Centre for Chinese Contemporary Art (CFCCA) in Manchester. The exhibition features work by Miao Ying, Ye Funa, Lu Yang, Lin Ke, Liu Xin and aaajiao and was co-curated by myself and Marianna Tsionki (Research curator at CFCCA). The exhibition will run from 8th February to 12th May – for anyone interested in learning more about how contemporary art in China intersects with the internet please do pay CFCCA a visit!

 

About this exhibition

‘Chinternet Ugly’ navigates the messy vitality of China’s online realm, a space where artists can engage, play and debate.

This exhibition features works by six leading new media artists and includes new work by Miao Ying, co-commissioned by CFCCA and University of Salford Art Collection. 

China is home to 802 million Internet users, 431 million micro-bloggers, 788 million Internet mobile phone users, and four of the top ten Internet companies in the world. This vast user base combined with a handful of ubiquitous online platforms and e-commerce giants including WeChat, Tencent and Alibaba results in cultural currents that flow at a blinding pace – spreading and evolving far more rapidly than on the ‘global’ web and creating a distinct internet culture – the ‘Chinternet’. Utilising this space as a site for cultural and political negotiation, critique and play, the artists presented in ‘Chinternet Ugly’ probe how
 the sheer volume of Internet users in China ensure that the country 
is effectively becoming its own online centre of gravity, one with the power to create its own sphere of influence over network norms.

Focusing on a younger generation of artists – the first to have grown up with mass digital technology – ‘Chinternet Ugly’ invites the viewer to explore the complex and contradictory nature of China’s hyper-regulated digital sphere from the perspective of some of its most dynamic and engaging artists. From Xu Wenkai (aaajiao) and Lin Ke’s manipulations of found digital materials and standard software programs; to the augmented reality of Lu Yang; the celebratory pop aesthetics of Ye Funa to the dark side of internet freedom in the works of Liu Xin, and the veneration of the ugly and artless evident in the works of Miao Ying.

To mark this exhibition CFCCA are delighted to announce a co-commission in partnership with the University of Salford Art Collection of a new work by Miao Ying: Love’s Labour’s Lost. This video installation explores Miao’s own relationship with China’s hyperregulated online realm, which she views as a ‘Stockholm Syndrome’, a traumatic bonding. In this work Miao uses love locks left by lovers on the bridges of Paris as metaphor for the complex and conflicted relationship between China’s internet users and Chinese internet technology, security and access.

As an artist from the first generation to grow up with China’s open policy and the internet, Miao explores in a humorous way the visual language of the Chinese internet and its users. As with the other five artists featured in ‘Chinternet Ugly’ she works online, often using GIFs, screenshots and lo-fi visual elements alongside physical installations.

Paying tribute to the messy humanity found between the cracks in a digital world of smooth transitions, polished selfies, blemish correcting software and autocorrect, ‘Chinternet Ugly’ celebrates lo-fi aesthetics and highlights the Chinternet’s potential to subvert cultural stereotypes, reject societal norms and generate a vibrant vernacular of satirical memes and online subcultures.

‘Chinternet Ugly’ has been co-curated in partnership with Dr Ros Holmes, Presidential Academic Fellow in Art History at the University of Manchester, who specialises in modern and contemporary Chinese art and online visual culture.

Tate Modern: Gender in Chinese Contemporary Art now available to watch online

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In February I participated in in a symposium on ‘Gender in Chinese Contemporary Art’ at Tate Modern.  The symposium explored the role that gender has played in the development of Chinese contemporary art and alongside talks from Monica Merlin and myself, it was a fantastic opportunity to hear artists Ma Qiusha, Ye Funa and Nabuqi talk about their practice. The event is now available to watch in full online and I have included links to the videos below.

 

 

GENDER IN CHINESE CONTEMPORARY ART

 

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GENDER IN CHINESE CONTEMPORARY ART

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Ma Qiusha, From No.4 Pingyuanli to No.4 Tianqiaobeili, 2007, single channel video, 7’53”, image courtesy of the artist

 

On the 22nd February I’ll be speaking at a symposium organised by Tate Modern on gender in contemporary art, looking specifically at how artists are exploring gender through digital and mediated spaces. The programme for the symposium is listed below. It offers a fantastic opportunity to hear artists including Ma Qiusha, Nabuqi and Ye Funa talk about their practice. Tickets for the event are now available via the Tate Website. 

TATE MODERN

22nd February. 14:00-18:30

This international symposium will explore the role that gender has played in the development of Chinese contemporary art.

Co-organised by Tate Research Centre: Asia and Central Academy of Fine Arts China, the symposium is split into two sessions. The first will give a critical overview of the subject, including a paper by Monica Merlin that will provide a history of contemporary art by women in China, a paper by Ros Holmes that will take up the new condition of artistic creation and distribution through digital and mediated spaces, and a panel discussion moderated by Wenny Teo. The second session will focus on individual practices, with artist presentations from Nabuqi, Ma Qiusha and Ye Funa followed by a discussion moderated by Song Xiaoxia.

By engaging the history of women’s artistic production in China, this symposium seeks to recuperate an often-elided narrative, while also asking what it means to be a woman artist working in China today, and whether gender still matters in contemporary practice.

Gender in Chinese Contemporary Art is part of the multi-venue collaborative exhibition NOW: A Dialogue on Female Chinese Contemporary Artists, which examines the positions adopted by women artists within the ecology of contemporary China. Through a series of exhibitions, commissions and events, NOW explores diverse artistic practices which transcend notions of gender difference to offer multi-faceted perspectives on contemporary social realities.

Programme

14.00 Welcome by Tate and Central Academy of Fine Arts China

Session 1: Critical Framework

14.20 Introduction by Sook-Kyung Lee, Tate Research Centre: Asia

14.30 Rethinking Women Artists and Gender in Contemporary Chinese Art
Monica Merlin, Birmingham City University

15.00 No More Nice Girls: Celebrating the Ugly and the Artless in China’s Online Spaces
Ros Holmes, Christ Church, Oxford University

15.30 Discussion and Q&A moderated by Wenny Teo, The Courtauld Institute of Art

16.00 Break

Session 2: Voices of NOW

16.30 Introduction by Wang Chunchen, Central Academy of Fine Arts China

16.45 Nabuqi

17.00 Ma Qiusha

17.15 Ye Funa

17.30 Discussion and Q&A moderated by Song Xiaoxia, Central Academy of Fine Arts China

18.30 – 19.30 Reception

Gender in Chinese Contemporary Art is co-organised by Tate Research Centre: Asia and China Central Academy of Fine Arts. Supported by the China National Arts Fund and British Council, Beijing.

Tate Research Centre: Asia has been generously supported by the Andrew W. Mellon Foundation.

Book now